Two amazing stories, two entirely different media

The Paramount Theatre in Aurora recently launched their Bold series at the renovated Copley Theatre, located across the street from the Paramount. They kicked off the series with Sweat, a Pulitzer Prize-winning play about a small town in the United States where most people’s goal is to work in the local plant and get their union card. The story moves through the characters’ dreams and struggles, working up to the event that landed two young men in prison and interactions with their parole officer upon their release. This is live theatre at its finest, in a small enough venue that every member of the audience feels a connection to the performers on stage. It packs a punch though, leading to conversations about unions, privilege, and the poor decisions people make out of desperation.

A week later, in an entirely different presentation style, I watched a 15-minute story called The Key on my Oculus. Virtual reality is definitely one step up the immersive ladder from a small theatre, and the story is designed with some interactive points. There’s not a lot I can say without spoilers, but the presentation and story were both riveting. The narrator leads you through their dreams and their struggle to remember the meaning of key objects in them. The story is available for free on the Oculus, or you can watch the story in a less immersive format on YouTube.

Both stories hit hard, each in their own distinctive way, and both are absolutely worth the time.

A look at some Wordle variants

As mentioned recently, Wordle has taken the online world by storm, drawing people in with the once-a-day challenge. Like many popular games, it has spawned variants, some keeping the challenge related to language(s), and others branching out into other subjects.

There are, apparently, variants for specific fandoms, such as Lord of the Rings, Star Wars (includes dashes so you can guess droids), Taylor Swift, and Pokémon; I only recently learned of those, and would probably struggle with them. I had heard of Lewdle (the name says it all) and apparently there’s also a Sweardle (also fairly obvious). I’m not particularly good at trivia, even for fandoms I enjoy, and my usual vocabulary doesn’t seem to work well for those last two. In addition to the original game, I am enjoying these variants:

Globle, a geography game where you try to guess today’s country. The color of the guessed country indicates proximity to today’s answer. There is no limit to the number of guesses, I’ve ranged anywhere from three (on a lucky day) to twenty guesses so far.

Nerdle, a math game with a calculation to determine. There are only eight spaces, and one of them is always an equals sign, so they’re fairly simple calculations.

WordleGame, not for their English remake – I like this one for the selection of foreign languages. I occasionally remember to visit it and try the Spanish puzzle for the day.

The big one… and I mean that literally, is Quordle:

Quordle image showing 4 squares of completed word puzzles

Instead of one word, you’re trying to match four. The difficulty is that all of your guesses apply to all four quadrants, so a guess that helps you on the first word may give you no new letters on the fourth one. To balance out the increased difficulty, you have nine guesses instead of Wordle’s standard six.

Which, if any, is your favorite Wordle variant?

Thoughts on An Unintended Voyage

I’ve mentioned Marshall Ryan Maresca’s books before, specifically in this post about The Velocity of Revolution, so it’s safe to assume I was excited to receive another of his books, An Unintended Voyage, to review. This novel picks up from a plot hook left hanging in Maresca’s Streets of Maradaine series, and is a great starting point for new readers. This review was originally published in the November 1, 2021 issue of Booklist.

During Marshall Ryan Maresca’s Maradaine Saga, Sergeant Corrie Wellington was abducted along with assorted children and put on a slave ship bound for places unknown. An Unintended Voyage reveals Corrie’s plight, landing her at a debtors’ house in Mocassa working to pay off an unintended debt accrued after the slave ship. Raised believing that Maradaine was the center of the world, Corrie experiences all of the culture shock inherent in being dumped in another country and interacting with people from nations she hadn’t heard of before. Her protective streak quickly extends from her shipmate Eana and the women they share a house with to victims of random violence on the unpatrolled streets, which ultimately leads to meeting a language tutor and securing a steady job as a bodyguard. Eventually she finds herself protecting other foreigners against religious fanatics who predict – and encourage – impending doom, coinciding with a solar eclipse which will enhance magical abilities. An Unintended Voyage is another delightful read for all ages, expanding on Maresca’s worldbuilding with hints of future adventures spread across the world.

The Paramount Theatre Presents Groundhog Day: the Musical

It seems like just yesterday that Groundhog Day, starring Bill Murray and Andie MacDowell, was released in theaters. Alas, yesterday was closer to thirty years ago in this case. The basic premise, as described on IMDB.com is “A self-centered Pittsburgh weatherman finds himself inexplicably trapped in a small town as he lives the same day over and over again.” Needless to say, hijinks ensue as he moves through shock and denial to some extreme actions, followed eventually by making the most of it.

Broadway took what’s already an entertaining concept and added music to it, and the Paramount Theatre in Aurora included it in their Broadway series this year. Weatherman Phil sets the mood in the prelude with a handful of snarky comments, movie references, and swearing that he will never take the Punxsutawney assignment again. He doubles down on this attitude in his first song, singing about how much he hates Small Town USA.

The musical proceeds as expected given that it’s based on a movie many of us already know and love. Where the Paramount excels, as always, is some great stage effects, like watching Phil drive drunk in a snow storm pursued by a police car. Why yes, of course they crash… you could almost feel it.

As with previous shows this season, proof of vaccination or a negative COVID test is required to attend (and they’ve partnered with a local place for the test), and you’re expected to wear a mask the entire time expect when taking a sip of your drink. Unless you’re the idiots behind our subscription seats, who thought they were exempt from the rule. (I’m sure there are others, those were just the ones we could see. Sat down, took off their masks. Put them on again when the usher reminded them of the rule, but they were off again at intermission, and during the second half when there was a brief pause to resolve technical issues on stage.)

All in all, another fantastic show at the Paramount. Go see it if you can.

A look back at 2021

Like 2020, 2021 wasn’t quite the year we expected or hoped for. Here in the United States, 2021 started with a violent insurrection attempt inspired by the former president. His inability to accept defeat was predictable; as I mentioned previously, he never learned to lose. Thanks to quick thinking on the part of Capitol police, none of the lawmakers were injured, the election results were certified, and many of us were able to watch the inauguration of a new President later that month. An easy option for following the ongoing investigation into the insurrection is to read Heather Cox Richardson’s daily updates.

Going into 2021, we knew that COVID vaccines were being tested and produced and would soon be available for all adults. Unfortunately, the rollout was initially slow, though it sped up as vaccine production ramped up following necessary approvals. By summer, vaccines were also available for teenagers.

Having attended a wedding via Zoom at the beginning of the year, the opportunity to socialize as more friends were vaccinated was eagerly received. Bristol Renaissance Faire reopened after taking a year off, and I drove to Minneapolis for a friend’s barbecue. Just as things were starting to look up, we lost a young family member in Guatemala to the pandemic, right as he became eligible for the vaccine. (Countries that aren’t developing their own vaccines tend to have a slower rollout.) On the same day, we lost a friend in Wisconsin; we attended his funeral later that week. Near the end of the year, my aunt in England passed away; I watched funeral via LiveStream.

As the Delta variant wave climbed, conventions tweaked their policies to include vaccinations and masks, allowing Dorkstock to a somewhat quieter Gamehole Con in October. So there has been gaming – outside the house even – and goodness knows we bought too many board games there.

Some happier highlights from the year include writing – in addition to the ongoing character journal that I maintained for my Quest Calendar, I submitted a couple short stories for competitions and worked through the write, edit, re-write process with a local writers’ group to include a short story in an anthology called Triple Vision.

I also wrote a couple songs this year, mostly about fandom (“filk”), including a Blowin’ in the Wind parody about Avengers: Infinity War, Cthulhu Sleeps Tonight, inspired by a crafty friend, and a silly song about ducks and my friend John’s charity bike ride.

Safe to say, 2021 was neither the best of times nor the worst… just somewhere in the middle, and somewhat unexpected.

An Advent calendar that pops

Earlier this year, I was shopping for a card on Lovepop and stumbled across an Advent calendar in their sales section. If you’re not familiar with the website, they specialize in super cool pop-up greeting cards, including some Disney, Star Wars, and Marvel ones, among others. (Oh, I probably shouldn’t have looked at that page, now I want some cards.)

Half a year early, I purchased the Pancake the Penguin’s Christmas Adventure pop-up Advent calendar. The real miracle is that I remembered about it in late November and knew where it was, setting it on the dining room table on December 1st. Every day, I assemble some of the previous items, read the story snippet and open the day’s pouch, revealing another piece for the story.

Pictured above is the calendar box in the upper left; Pancake in the upper right; Pancake (wearing a cute little backpack to carry her golden key) and her adopted sister, Pep, in the bottom left, where they have discovered some Christmas trees; and Pancake and Pep traveling from the ice cream forest to the “icey forest” (that’s how it’s spelled on their map).

Wait… why do I re-assemble the pieces every day instead of just leaving the display? On day 1, I revealed Pancake the Penguin, the star of this adventure. On day 2, with only Pancake and her home on the table, Zuko jumped up and stole Pancake. After a quick chase in the kitchen, I determined it would be safer to keep the pop-ups in a container.

As we wrap up this year’s calendar, I’ve noticed that Lovepop has some other Advent calendars. I’ll keep those in mind for next year. And determine what catproofing is needed.

Have a great Christmas!

The Paramount Theatre restarts their Broadway Series with Kinky Boots

More than a year after it was originally scheduled, the Paramount Theatre in Aurora has restarted their Broadway Series with Kinky Boots, an amusing musical about a floundering shoe company whose new owner decides to produce a line of high-heeled boots for drag queens. In a typical Broadway style, the story is both funny and moving, with lessons about accepting yourself and people around you.

But hey, isn’t there still a pandemic going on? Why yes, there is. The Paramount Theatre implemented a strict COVID policy, requiring proof of full vaccination and photo ID for people who are eligible for the vaccine, a negative COVID test for people unable (or ineligible, for children under 12) to get the vaccine, and masks for everybody in attendance. (Noting that this particular show is recommended for ages 12 and up due to sexual content and adult language.)

Me standing in front of a backdrop with the Kinky Boots image (tall red boots) & title, and the Paramount Theatre logo

It makes for a different sort of look at the theatre. I’m sure some people color coordinate their masks and attire. Clearly, I’m not one of them. The only people I saw unmasked inside were the cast, the occasional group taking a quick photo with the backdrop, and people quickly sipping drinks and replacing their masks.

I was delighted to return to a live show, and particularly this one, which garnered a standing ovation during the final song. I’m look forward to the other shows this season, hoping that as more people get vaccinated and this pandemic fades into memory, the performers will be able to see the smiling faces in the audience once again.

Thoughts on Firebreak

When I started reading Firebreak by Nicole Kohrher-Stace, I noted that it reminded me of Ready Player One. As I read more, that was not the only dystopian setting it brought to mind, as you’ll see in this review. This review was originally published in the April 1, 2021 issue of Booklist.

Mal, the protagonist of Nicole Kohrher-Stace’s Firebreak, is one of many war survivors in old town working multiple jobs to scrimp by, including her team’s video game streaming. The team lives with several roommates in a converted hotel room run by Stellaxis, the company that owns this half of town, and is the only legal provider of drinkable water. When Mal catches sight of an elusive SecOps character, special NPCs modeled after Stellaxis’s twelve bioengineered operatives, the team launches in pursuit in the game to catch her on video for two seconds before their power curfew kicks in. By the time Mal heads down for her daily ration of water, they’ve secured a lucrative contract, involving an in-person meeting and a conspiracy theory, paying them to capture images of the three living SecOps characters. When Mal returns to find out why the next payment failed, she becomes involved in a fracas that will endanger everyone she knows. This dystopian novel will appeal to fans of Ready Player One and The Hunger Games with its blend of gaming and real life adventures. Mal’s unwitting evolution from disadvantaged video gamer to real life hero will appeal to every reader’s inclination to improve the world around them. 

What good books have you read recently?

A return to historically inaccurate weirdness

The Bristol Renaissance Faire re-opened to amazing weather – an overcast day in the 70s – last weekend after taking a year off for the pandemic. Adjusting for the still ongoing pandemic, masks are required for the unvaccinated, and the schedule seems a little lighter this year, including fewer themed weekends – the only themes this year are Steampunk (July 17 & 18th) and Pirate (August 7 & 8). Someone should tell the Spider-Man we saw with the Infinity Gauntlet and a pirate hat to go back next month.

Background image of Guido's Academy of Theatrical Swordplay, with images of Dan the Bard, Adam Crack's Fire Whip show, and Cirque du Sewer juggling with a cat on her head

As in previous years, we saw a mix of new(-ish) and old shows, a bit of shopping, and some tasty food. We started the day at the always entertaining Adam Crack’s Fire Whip show, and followed immediately with Guido (one of the two swordsmen; Dirk is taking the summer off) at his new Guido’s Academy of Theatrical Swordplay, featuring Guido training the next generation of Faire actors.

After a long wait for a caffeinated beverage, we enjoyed one of Dan the Bard’s concerts with his tremendous songs about Dungeons & Dragons. Fans of any role-playing games will appreciate his tales about players going woefully off task and monsters they encounter. Then we rounded out the day with a Cirque du Sewer performance, watching cats and rats comically misbehave during their acts.

In summary, it was a fabulous day of delightful entertainment on a surprisingly cool day.

Filk: Little Jedi Boy

According to Wikipedia, “Filk has been defined as folk music, usually with a science fiction or fantasy theme, but this definition is not exact. So-called filkers have been known to write filk songs about a variety of topics, including tangentially related topics such as computers and cats. In addition, while the majority of filk songs are in the folk style, other styles such as blues, calypso, and even rock appear from time to time.”

I actually attended my first filk circle in 1998, the first time I went to DragonCon. And didn’t attend another one – though I did go to some filk concerts – until this past year, which of course were via Zoom. That combined with watching The Mandalorian resulted in this song, Little Jedi Boy, to the tune (not surprisingly) of Little Drummer Boy. You can listen to it here, or sing along with the lyrics (provided as an image and as text):

Little Jedi Boy lyrics with background picture
Come, they told me (pa-rum pum pum pum)
Our finest bounty here (pa-rum pum pum pum)
We’ll pay a beskar crate (pa-rum pum pum pum)
For just this one green child. (pa-rum pum pum pum)
(Rum pum pum pum, rum pum pum pum)
So to capture him (pa-rum pum pum pum) 
When we come.
 
Baby Jedi, (pa-rum pum pum pum)
You are too cute to kill. (pa-rum pum pum pum)
So I’ll just shoot this droid. (pa-rum pum pum pum)
But Jawas stripped my ship. (pa-rum pum pum pum)
(Rum pum pum pum, rum pum pum pum)
Now we’ll quest for them (pa-rum pum pum pum)
For their lunch. 
 
The baby saved me. (pa-rum pum pum pum)
Now the damn Imps have him. (pa-rum pum pum pum)
I changed my mind for him. (pa-rum pum pum pum)
I left the Guild for him. (pa-rum pum pum pum)
(Rum pum pum pum, rum pum pum pum)
Then He smiled at me (pa-rum pum pum pum)
Me and my gun.