Thoughts on An Act of God

Irreverent. Heretical. Fabulous.

Those are the first words that come to mind after seeing An Act of God at the Copley Theatre in Aurora, the latest show in their Bold series. The basic premise is that God is delivering a message directly to us, rewriting the Ten Commandments to clarify and modernize them, with the assistance of archangels Michael and Gabriel. That’s the entire cast, by the way, just those three people. God does most of the talking.

A three-person play is always going to be challenging, even with a short run time of 90 minutes. I suspect a three-person comedy where half the audience isn’t laughing is doubly so for the actors. Early on in the performance, I noticed that there were loud pockets of laughter in some parts of the small theatre (ourselves included) and other pockets of stone-faced theatregoers. At the end of the show, the artists received half a standing ovation, and I’m not sure I’ve ever seen that before. I suspect many of the sitting half would have walked out had there been an intermission.

Live performances in particular are supposed to make you think, so hopefully those people who weren’t laughing were at least given an interesting line of thought to pursue. As to whether you should see it, I suppose that depends on how literally you interpret the Bible and whether you’re comfortable looking at it from a different perspective. Obviously, I quite enjoyed it.

Voting for the Hugo Awards

One of the privileges of a WorldCon membership – whether you’re attending the convention or just supporting the World Science Fiction Society (WSFS) with a membership – is the ability to nominate and vote on the Hugo Awards. After the committee filtered through the nominees to determine the top six in each of fifteen categories, they assembled a Voter Packet that was made available to the membership. That Voter Packet includes a mix of excerpts, entire books, trailers for one movie and a couple movies in their entirety.

In terms of quantity of material to review, it was certainly overwhelming. I made a deliberate effort to read the material provided in the Novels, Short Stories, and Astounding New Writer categories, and was lucky enough to have seen half of the movies already. As I polished off what I was going to make it through in a specific category, I logged into my ballot and updated that section. Pictured below is the Novella category with no votes logged.

Screenshot of 2024 Hugo nominees for the Best Novella category

Each category starts will all items listed as Unranked; you select the numbers one through six for each item you’re voting on. You may also use the No Award option at the bottom, if you think none of the nominated works deserve the award. You don’t have to rank all six items, and you can place the No Award in between rankings if you think some items should earn an award and some shouldn’t.

Oddly, to me at least, there is betting on the Hugo Awards. I only found out about that because there was some fraudulent voting in this year’s process that the committee identified and removed from the counts. Regardless, the entire process of assembling the nominees, and Voter Packet, and tabulating the votes is tremendous effort by a team of volunteers. I applaud them and appreciate the new literature this process has exposed me to.

Rethinking our approach to Bristol

I have mentioned several times that we enjoy attending Bristol Renaissance Faire each year. But in last year’s post, I also mentioned some unpleasant waits… in particular, the hour it took us to get from the highway exit (after driving more than an hour to get to that point) to actually walking through the gates of Faire. That was compounded by arriving after the food lines started getting long – because of the traffic delay – with the perennial problem of finding somewhere to sit, knowing that finding a place with a table is unlikely. So we approached this year a little differently, specifically stopping to eat lunch most of the way there, which allowed us both adequate seating (with a table!) and a minimal delay from the highway into Bristol’s parking.

Cirque du Sewer's last show of the day involves fire. In this case, a cat jumps through a flaming hoop from one stool to another.

Since we had already eaten, it was easy to select snacks at less crowded times, and we even found seating at one point in what used to be the Kid’s Kingdom. As an added bonus, arriving later meant we had energy to stay until almost closing, catching different performances from some of our favorite acts, such as Cirque du Sewer’s Fire Show, which includes a cat jumping through a flaming hoop. In a stroke of luck, we had near perfect weather for opening day (as opposed to the next day, which had storms that shut down some shows for safety and eventually the Faire itself).

Assuming the prices don’t continue to rise astronomically – ticket prices increased last year, and the parking jumped from $10 to $15 this year – we’ll probably follow this approach in future years.

Capricon 44 (February 2024)

We attended Capricon last weekend, building a box fort (again!), hanging out with friends, and attending and/or participating in various panels. I’ve written about Capricon multiple times over the years, as it’s by far my favorite science fiction convention. Smaller conventions – say under a couple thousand people – give you plenty of opportunity to connect with your friends and random encounters with other people, including making new friends.

I’ve mentioned the parties a lot the last couple years, since we started running The Box Fort party at Capricon. While those fill my late night hours (and my nights are definitely later than normal when I’m at conventions), there are a lot of options during the day as well. There are panels on a wide variety of geeky subjects, including a writer’s track for existing and aspiring authors. There’s a gaming room with an extensive library – it was open Thursday evening, then re-opened Friday morning and stayed open until Sunday afternoon. The filk track had both a variety of scheduled events and open jam times.

There were several shopping opportunities between the dealer’s hall, art show (I sold some crocheted items), and author signings that were located just outside the dealer’s hall. Any art show items that receive three or more bids end up at the art auction; this year that included a good selection of board games from our friend Marinda’s collection, donated to support the convention’s designated charity for the year.

Alas, at least one event on the calendar was cancelled because of the weather. The annual “Snow Goons!” (a tribute to Calvin & Hobbes) outing relies on actual snow; last weekend was surprisingly warm. Regardless, a convention like this is a great opportunity to let your geek flag fly, with whatever fandoms you’re inclined to include on that flag.

A museum of wonder!

Well, actually, it’s a WNDR Museum – drop the vowels in “wonder”. It’s an interactive, one-way art museum, where you proceed along a marked path from entrance to exit. Technically, it’s one of four: there are locations in San Diego, Boston, and Seattle, as well as the one we visited in Chicago.

Admission is purchased online – if you arrive, as we did, without tickets, there’s a QR code to scan where you can select the date and time for your tickets. As you’re admitted, you also have the opportunity to purchase drinks to take with you along the path. There are also QR codes along the path to explain how to interact with some of the exhibits. We scanned a couple, but didn’t feel a need to scan every one. Here are some of the photos I took in the time we explored the museum.

  • "Colorbox" - colorful wall art
  • A wall of shimmering sequins with a fish shaped in it by a museum visitor
  • Art on the wall that reacts using a video camera to the viewer's movement
  • A giant head with colorful strands of light flowing out of the top and into various spots on the wall
  • A visually reactive floor that responds to people moving across it
  • A painted mirror with background art
  • Stacks of cubes with rotating lights inside

In addition to the exhibits, several of which were reactive to movement of one sort or another, there were two poets stationed in the museum who were writing poems on the spot for whatever topic you threw at them (they had tip jars), and a magician near the end performing some stunning sleight of hand (no tip jar there). And, of course, a gift shop.

Do you still Wordle?

It’s been about 18 months since Wordle began appearing on my social media feeds, those green and yellow boxes asking for an explanation. I discussed Wordle variants soon after that. While I still play Wordle daily, the variants I play has shifted. I still play Daily Quordle, and its own variant Daily Sequence, which has four words that must be solved in order. While I enjoy Octordle (8 words) and Sedecordle (16 words!), I play on my phone, so managing 8 or 16 words was cumbersome.

Among the variants I’m enjoying are Connections, another puzzle hosted by The New York Times, and Keyword, hosted by The Washington Post. Keyword looks like part of a crossword puzzle – you’re given 6 vertical words, each missing one letter lined up in a horizontal row; your goal is to find the missing word in as few guesses as possible. (A perfect score is 6 letters.) It usually has a mix of easy and hard words. For example, “?ARROT” is probably CARROT, but “RI?E” could be any number of words. When you enter the correct letter, the square turns green; a wrong answer turns it pink. Either way, it shows a count of how many guesses you’ve taken on that letter.

Connections unstarted with the words: Jack, Press, Planet, Button, Plank, Squat, Snap, Obvious, Crunch, Buckle, Nothing, Curl, Zip, Kangaroo, Lunge, Nada

Connections takes a whole different approach, presenting you with a four-by-four grid of words. Your task is to determine what the connections are between the words, correctly grouping them in sets of four. What makes this difficult is the combination of overlapping categories – there’s usually a couple words that could fit into different categories, even once you successfully identify the categories. For example, yesterday’s Connections included the word “Duds” in the Slang for Clothes category, which was also a fit for the “Failures” category.

Connections solved with categories Slang for Zero, Fastening Verbs, Gym Exercises, and Captains

As you complete each grouping, the words move into a colored box; the different colors indicate the level of difficulty. You have up to four mistakes, so you want to be careful with your selections. On the plus side, it won’t let you submit the same erroneous group of four again. Sometimes the problem I have matching the categories is a lack of context, such as MTV shows or NFL players, which are both outside the scope of my fandoms and general knowledge.

Like Wordle, both Keyword and Connections provide a handy summary of your result that can be shared with friends without revealing the answers. Which are your favorite Wordle variants?

Thoughts on Yumi and the Nightmare Painter

Last year, I briefly mentioned Brandon Sanderson’s amazing, record-setting Kickstarter for the four secret books he had written during the pandemic lockdown. (This was in addition to the books he was openly working on.) Not surprisingly, I bought into that Kickstarter, receiving a digital copy of each book on the first day of each quarter this year. I recently finished the third book, Yumi and the Nightmare Painter, and realized I hadn’t mentioned any of them here. Brandon Sanderson states that this is his personal favorite of the Secret Projects; mine (so far) was the first one: Tress of the Emerald Sea.

In this novel, the protagonists Yumi and Nikaro (aka Painter) both have fantastical jobs, which means they have jobs that are specific to the world the story is written in; these are not jobs that are recognizable in our world. Yumi is a Chosen One, one of fourteen young women who through ritual rock stacking can summon spirits and bind them to different uses for society. Nikaro is one of many nightmare painters, tasked with guarding a city from the living nightmares that creep in and feed off people’s fear while they sleep. Nightmare painters capture the nightmares by focusing on them while capturing them on canvas as something harmless. Through a spirit’s cry for help, Yumi and Nikaro are linked magically and tasked with helping each other’s world through their struggles.

This is an easy book to read, especially if you have time to read it all in one sitting. It has all the unexpected twists and fantastical worldbuilding that fans have come to expect from Sanderson, all built on the “what if” concept of fantastical jobs, accented by Aliya Chen’s amazing artwork. It’s okay if you missed the Kickstarter, all of the released Secret Projects books are also available through his website.

Stepping back in time in Janesville, Wisconsin

A couple weeks ago, a friend of mine in Janesville reached out to let me know about a small Renaissance Faire in Wisconsin: the (not surprisingly) Janesville Renaissance Faire (JRF). You may wonder what differentiates small and large Renaissance Faires; most comparisons will be to the Bristol Renaissance Faire (Bristol), since that’s the only other one I’ve attended recently. Primarily, the differences are affordability and permanence.

At the JRF, parking is free and, if you arrive early enough, fairly close; admission was a mere seven dollars (six if you brought a non-perishable food donation). In contrast, Bristol parking is five (general) or ten (preferred) dollars, and admission is up to a whopping forty dollars this year.

In terms of permanence, most vendors at Bristol display their wares in actual buildings at a location dedicated solely to the faire. In contrast, JRF vendors work out of pop-up tents at the Traxler Park, occupying it for just one weekend a year. Scrolling through the JRF’s sizable vendor list, I half expected a larger location, but the vendors made good use of their space.

There was, of course, entertainment, spread across four different stages. One, conveniently, was located in the midst of the food vendors, which was perfect while patiently waiting for lunch or dessert. As expected, there was a fine variety, ranging from musical groups such as Bardmageddon and Bounding Main, to comedy acts and even fire eating. Similar to Bristol, there were more events that we wanted to see than we could possibly attend, though the lunch line placement did help a bit.

The main difference we noticed was the shopping. While there’s no shortage of shopping opportunities at Bristol, sometimes we want to find small groups of gifts – think something in the one to five dollar range – and there were far more of those available at JRF than at Bristol. I suspect this is a combination of the lower entry cost for vendors and the sheer variety of merchandise, as not everything sold at JRF was strictly adhering to the Renaissance theme.

All told, it was a fun day and worth the drive… when the weather is good. We had a lovely sunny – yet not too warm – day, but I understand that it snowed for the event last year. I expect we’ll attend again, and continue to attend Bristol as well.

Thoughts on Leap!

At first glance, Leap! is a feel good kids’ movie from 2016 about an orphan girl who flees her rural orphanage with her best friend to pursue her dream of becoming a ballerina in Paris. And it is absolutely that, a fairly typical underdog works hard to overcome obstacles story.

There are a couple surprises that made this movie stellar. For starters, the U.S. version of the movie adds lines for an otherwise silent character, Luteau, voiced by none other than Mel Brooks. I mean, how can you go wrong with that sort of talent? (For reference, the original release was a France/Canada co-production titled Ballerina.)

We have a tendency to watch shows and movies with subtitles on at home, largely because of how much the sound quality varies across platforms. That’s why we noticed early in the movie that the subtitles don’t match the vocals. This isn’t a case of somebody mistyped a word or two, as we frequently see… there are entire sentences in the subtitles that aren’t spoken.

In hindsight (with Google’s help), it appears there was some rewriting of the dialogue for the U.S. version of the movie. I’m guessing the subtitles weren’t updated to match, which made for an entertaining evening as we compared the vocals to the text. All in all, it’s a fun movie with either set of dialogue.