Mom's Guide to the Galaxy

A couple weeks ago, a friend of mine in Janesville reached out to let me know about a small Renaissance Faire in Wisconsin: the (not surprisingly) Janesville Renaissance Faire (JRF). You may wonder what differentiates small and large Renaissance Faires; most comparisons will be to the Bristol Renaissance Faire (Bristol), since that’s the only other one I’ve attended recently. Primarily, the differences are affordability and permanence.

At the JRF, parking is free and, if you arrive early enough, fairly close; admission was a mere seven dollars (six if you brought a non-perishable food donation). In contrast, Bristol parking is five (general) or ten (preferred) dollars, and admission is up to a whopping forty dollars this year.

In terms of permanence, most vendors at Bristol display their wares in actual buildings at a location dedicated solely to the faire. In contrast, JRF vendors work out of pop-up tents at the Traxler Park, occupying it for just one weekend a year. Scrolling through the JRF’s sizable vendor list, I half expected a larger location, but the vendors made good use of their space.

There was, of course, entertainment, spread across four different stages. One, conveniently, was located in the midst of the food vendors, which was perfect while patiently waiting for lunch or dessert. As expected, there was a fine variety, ranging from musical groups such as Bardmageddon and Bounding Main, to comedy acts and even fire eating. Similar to Bristol, there were more events that we wanted to see than we could possibly attend, though the lunch line placement did help a bit.

The main difference we noticed was the shopping. While there’s no shortage of shopping opportunities at Bristol, sometimes we want to find small groups of gifts – think something in the one to five dollar range – and there were far more of those available at JRF than at Bristol. I suspect this is a combination of the lower entry cost for vendors and the sheer variety of merchandise, as not everything sold at JRF was strictly adhering to the Renaissance theme.

All told, it was a fun day and worth the drive… when the weather is good. We had a lovely sunny – yet not too warm – day, but I understand that it snowed for the event last year. I expect we’ll attend again, and continue to attend Bristol as well.

At first glance, Leap! is a feel good kids’ movie from 2016 about an orphan girl who flees her rural orphanage with her best friend to pursue her dream of becoming a ballerina in Paris. And it is absolutely that, a fairly typical underdog works hard to overcome obstacles story.

There are a couple surprises that made this movie stellar. For starters, the U.S. version of the movie adds lines for an otherwise silent character, Luteau, voiced by none other than Mel Brooks. I mean, how can you go wrong with that sort of talent? (For reference, the original release was a France/Canada co-production titled Ballerina.)

We have a tendency to watch shows and movies with subtitles on at home, largely because of how much the sound quality varies across platforms. That’s why we noticed early in the movie that the subtitles don’t match the vocals. This isn’t a case of somebody mistyped a word or two, as we frequently see… there are entire sentences in the subtitles that aren’t spoken.

In hindsight (with Google’s help), it appears there was some rewriting of the dialogue for the U.S. version of the movie. I’m guessing the subtitles weren’t updated to match, which made for an entertaining evening as we compared the vocals to the text. All in all, it’s a fun movie with either set of dialogue.

Within the first minute of The Lost City, starring Sandra Bullock and Channing Tatum, it became obvious that this movie was not going to take itself seriously. The protagonists’ of author Loretta Sage’s latest adventure romance novel expressions of admiration for each other as they’re tied up in an ancient temple quickly pan out to a gloating villain, followed by the hero, Dash, asking “Hold up. Are these- Are these your snakes?” This line of questioning continues… who feeds the snakes and why one snake is wrapping itself on a henchman’s leg and not biting the guy? Then the author kicks in with “Delete” on several aspects of the scene, switching to the reality of Loretta struggling to write the ending of her story and still coming to the terms of her husband’s death a few years before.

Minutes later, having found her ending, Loretta is on a book tour with her agent, reading awful online reviews before facing a live audience, and to her surprise, Alan, the cover model for her novels. Her agent, Beth, confiscates Loretta’s phone and sends her on stage in an uncomfortable pink sequined outfit, where she ultimately concedes to the audience’s demand to rip off Alan’s shirt, accidentally removing his wig. Arguments ensue and Loretta storms out into the waiting car of kidnappers employed by Abigail (a gender neutral name, she’s assured) Fairfax, played by Daniel Radcliffe, who noticed that her new book includes real translations for an archaeological site he’s excavating and wants her to travel to the Isla Hundida (“Sunken Island”). She declines; he takes her there anyways.

Meanwhile, Alan, having seen the car Loretta left in, tries to hop into her Uber with the stereotypical “follow that car” line; the Uber driver locks his doors. Police won’t help due to lack of evidence, so Alan reaches out to Jack Trainer (played by Brad Pitt), an ex-Navy Seal he met at a meditation retreat, and they track Loretta’s location using her smart watch (which had snagged on Alan’s wig earlier).

And then the real movie starts, with crazy rescue attempts and corny villain bits. There are a few serious moments as Alan and Loretta figure out how they fit into each other’s lives, but mostly this movie kept us laughing.